The VIP Auction was an annual fundraising event through the Johns Hopkins All Children’s Foundation. Each year, a committee voted on a theme and encouraged attendees to dress the part. In 2019 for example, my colleague Nannette created a kick-ass look for the Rock the Night event with a hair metal feel without sacrificing the ozone layer.
For 2020 the theme was Hooray for Hollywood and I was assigned as creative lead. My design married an art deco font with a Saul Bass 1960s movie poster feel. Unfortunately, the pandemic forced the cancellation of the event, which was scheduled in April of 2020. Much of the materials were already produced, including the logo, invitation, backdrop and nearly all of the signage.
Have you ever wondered how certain movies just never appeared on your radar, despite having seen most other entries in the genre? So did we when we recently stumbled upon the 1981 slasher flick Final Exam. Then we watched the movie.
On this episode we study out the misguided homages to better films, the extra long scenes that don’t lead anywhere or further the plot and of course the random wedgie tug that may have been a character choice but probably wasn’t.
Stick around at the end where we shamelessly namedrop the Skip to the End podcast and hand out some grades of our own for some of the latest releases.
The golden age of 80s slasher cinema produced some interesting, if not great movies. In this episode, we buy a ticket for Terror Train, a 1980 Canadian-American production that slipped through the cracks of our adolescent viewing. Jamie Lee Curtis, Ellis from Die Hard and David Copperfield playing against type as a – wait for it – magician! It can’t be all bad can it?
Somewhere along the journey of growing up in the 80s, Friday the 13th moves went from making us scream with terror to scream with laughter. On this episode of So Bad It’s… we’re joined by fellow Friday aficionado Graham LaMontagne as we track our memories, thoughts and insights and discuss the series and all things Jason Voorhees.
In keeping with the series’ myriad of sequels, this is the first of a two-part episode. So grab your hockey mask or burlap sack and meet us up at Camp Crystal Lake with Dudley, Corey Feldman, Crispin Glover, Alice, Kris and the rest of the gang.
As a children of the 1980s, my buddy Jon and I have far too much useless pop culture in our head. In an attempt to let some of it out, we’ve started a podcast called Making the Grade where we’ll discuss all the things that shaped who we are today. We’ll tackle topics like horror movies, video games, discovering music, discovering girls, mix tapes, and movies so bad they’re good.
That leads us to our very first episode, the 1987 cheese-tacular Steele Justice, starring Sensei Kreese (Martin Kove) and a boatload of B-C- and D-movie actors that are probably still too good for this movie. The producers threw in pretty much every 80s action movie stereotype – terrible one-liners, supercheese Frank Stallone-esque anthem, emotionally stunted lead character who cares for a pet snake, a spandex-clad music video, cocaine, uzis, beach workout montage with pink sweater and a mop handle, uncomfortable sexual tension between Steele and his best friend’s teenage daughter – it’s a veritable stew of batshit crazy and it fails spectacularly.
Jon and I could talk about this movie for weeks, if not months straight. Each scene is a perfectly realized helping of insanity, served with a sweaty (literally) side of Martin Kove. The original 35mm print of this needs to be preserved in the Smithsonian. But what did Jon and I really think? Does Steele Justice make the grade? Listen and find out!