Taking a page from my time in DC, I recently suggested that the monthly DJ gig with friends Jen and Genevieve expand to try a ‘versus night’, specifically New Order versus OMD, as both the latter and Peter Hook, former bassist of the former, were due in town in the coming months.
I was curious if the blissful, insane fun I had at Cure vs. The Smiths, New Order vs. Duran Duran and Depeche Mode nights at DC’s Black Cat (special nod to DJ Michelle Guided for providing much of that soundtrack) could be replicated – on a much smaller scale. And hey, if nobody showed, at least we’d enjoy a night of great music.
We sold the idea to a skeptical manager at The Independent Bar that hosts our low-key, all vinyl gigs. Now for a poster design.
It starts and ends with Peter Saville. Saville’s design defined an era. His work with Factory Records, his iconic cover designs for Joy Division, New Order, OMD and other post-punk bands emerging from the UK in the late 70s and early 80s are instantly recognizable.
I had a lot of fun playing in his sandbox as I went from producing one design to four. The designs are all mashups. The main poster utilizes the bold lines and streetmap grid look of New Order’s 2016 ‘Music Complete’ album while incorporating the tan, brown and green color scheme from OMD’s 1983 album ‘Dazzle Ships’, both designed by Saville. I added the fuchsia for some pop as I felt it complemented the other colors and contrasted the black line art well.
The typography is strict Helvetica, which lent itself to the utilitarian look of a lot of the early Factory Records and Hacienda materials.
Each of the posters pulls from New Order – OMD – Factory aesthetic and style – all shaped by Saville. Famously, the sparse ‘No’ that featured on New Order’s ‘Waiting For the Siren’s Call’ was actually a response by Saville to a request to design the album cover.
Do you remember the scene in Raiders of the Lost Ark when the marketplace crowd disperses and a large, imposing swordsman does a series of flashy moves before a weary and having-none-of-it Indiana Jones pulls out his pistol and shoots him? Ok, stay with me on this…
In my role as graphic designer for Johns Hopkins All Children’s Hospital, I’m fortunate to work for an organization with a mission that’s kind of tough not to get behind – the care and treatment of children and support for their families.
While my primary role is in graphic design, our department allows us the freedom to explore and utilize our other talents. It was such freedom that allowed me and our videographer Juan to brainstorm an idea to create a partnership video with the Tampa Bay Rowdies for Childhood Cancer Awareness Month.
Juan is super-talented and had a basic framework in place. I came in with Indiana Jones. My idea was to utilize the spirit of that scene with our patient Vance facing off against one of the Rowdies’ players, which turned out to be Juan Guerra. Our department was on board and allowed us total creative freedom. The only catch? We had to concept, storyboard, write the script, film and edit in two weeks. Easy peasy.
As you can see in the video above, our team came through. This was shown at a late summer Rowdies match and led to a nice chunk of money donated to the hospital. I was thrilled to work with Juan on this project and thankful for the help of our marketing team and the clinical staff at the hospital for volunteering their time. Of course, the video doesn’t work without the Rowdies’ players, Guerra, Georgi Hristov and Keith Savage.
While I don’t necessarily recommend pitching a video idea about kids with cancer with Indiana Jones blowing away a bad guy, having a pop culture mindset does come in handy every now and then. It goes nowhere without a lot of other people on board lending their talents and it made me excited and proud to be a part of Kicking Cancer with the Tampa Bay Rowdies.
Red Hot Hockey is a biennial (every two years) college hockey event between Boston University and Cornell at Madison Square Garden over Thanksgiving Weekend. I’ve been involved with RHH since its inception in 2007 when I still worked at BU. In fact, the first RHH logo was the first logo I ever designed that saw the light of day. We gave it a facelift in 2011 that was pretty well received.
You can read more of my thoughts on the logo facelift here. Red Hot Hockey is back in 2015, and we’re hoping to have our fifth-straight sell-out of the Garden. If you’re interested, we’re most active on Twitter, where I try to keep things engaging and entertaining!
After providing the Record Store Day poster design last year for local landmark Bananas Records, I was fortunate enough to be asked to work on the 2019 version. Sometimes it helps to be in the know with those in the know.
I was given a lot of leeway in terms of direction again this year. Since Bananas doesn’t really have a budget for these things, it’s essentially a pro bono gig. I’m big believer that designers should be compensated for their design. I’m also a big believer in the relationships you form with people and being in position to help out in ways that don’t always result monetary transactions. Let’s just say my vinyl copies of Depeche Mode’s Black Celebration and Simple Minds’ Sister Feelings Call have left me properly compensated. I look at it as a chance to flex my creative brain on projects outside of my job at the hospital. I’ve worked hard in recent years to build relationships that afford me the privilege to work on fun side projects like this.
There are a lot of great designs of past RSD posters and since it’s an international event, that allowed for a treasure trove of ideas to inspire what became the finished design. I liked combining the idea of the vinyl record and its grooves with the orbits of our solar system’s planets. It helped that the lineup at the store consisted of eight acts and a food truck (sorry Pluto, at least you were represented).
As with any design exploration, a lot of the fun is coming up with various concepts and then leaving it up to the client to decide which they like best because they always choose your favorite. Excuse me while I turn off my sarcasm alarm. I was really happy with my exploration on this one though and although my personal favorite is the minimalist design utilizing the banana silhouette as the arm of the record player, I was still happy with what Bananas chose.
There’s no law saying Halloween can’t be extended beyond October 31, so we’re keeping the spirit alive with an added episode which asks the question, “Why did Pete make Jon watch Halloween III?” The answer is simple: so we could do a podcast episode on it!
Halloween III gets a lot of grief because it doesn’t feature Michael Myers as the antagonist and is an outlier in the series. It’s also gained a cult status over the years as the oddity in what became an increasingly odd series. But does that mean it’s any good?
It does have America’s Treasure Tom Atkins going for it, so…
Michael Myers is back and Jamie Lee Curtis isn’t putting up with his shit in a direct sequel to John Carpenter’s classic, ‘Halloween’… also called ‘Halloween.’ Does this slasher still cut like a knife, or are we looking at death by a thousand AARP card cuts?
We’ll go in depth on this latest installment, directed by David Gordon Green and co-written by Danny McBride and featuring an A-list cast that includes Curtis, Judy Greer, Andi Matichak, Will Patton and a return cameo from the original The Shape, The Nick Castle . We also tease a discussion on the Michael Myers-less “Halloween III” which we end up saving for another episode because after a two month hiatus, we talk for a really long time.
Grab your Shatner masks and listen in on our discussion. Let us know what you thought of the new ‘Halloween’ on Twitter.
As celebrators of earnest awfulness at the Sobadcast, there’s something about listening to an enthusiastic caller sharing their experience sharing a couple of tall ones with a mullet-sporting sasquatch on some backwoods Washington State logging trail that just sits right with us. All the better that you couldn’t tell who was nuttier, the callers or the hosts.
As an homage to those paranormal radio shows like Coast to Coast AM hosted by Art Bell, George Noory and the like, we present you some archival footage of the little-known Full Moon Radio show with host Pat Moon (and guest host Philipander Poon). Sponsored by Aqua Velva.
Have you ever wondered how certain movies just never appeared on your radar, despite having seen most other entries in the genre? So did we when we recently stumbled upon the 1981 slasher flick Final Exam. Then we watched the movie.
On this episode we study out the misguided homages to better films, the extra long scenes that don’t lead anywhere or further the plot and of course the random wedgie tug that may have been a character choice but probably wasn’t.
Stick around at the end where we shamelessly namedrop the Skip to the End podcast and hand out some grades of our own for some of the latest releases.
One thing I wanted to accomplish when I moved to St. Petersburg from D.C. was to experience a night at a local bar spinning some of the music that has shaped and influenced my life. I had no equipment, no experience and no idea if anyone in St. Pete even listened to the stuff I’d want to play.
Jen and Genevieve, co-workers at local vinyl shop Bananas Records, asked me to be a part of a three-headed-DJ team and we’ve been doing a monthly Flashback Fridays gig at The Independent Bar for a few months now. We spin all vinyl and we keep it simple and fun. It’s less a dance party and more background music and that suits me fine, although random acts of dancing do occur.
It also gave me a chance to throw down some design ideas for the night’s promo posters.
For our 60s night, I took inspiration from the Quadrophenia film poster since I lean towards the British end of the 60s spectrum (plus, I practically own stock in Ben Sherman). I prefer to keep my design simple and clean, so I liked the bits of blue, red and black on the white background. The type is Helvetica Neue.
Some people love Helvetica and some loathe it. Personally, I love it. I still vividly remember it as part of the New York City Subway maps in the 70s, before I even knew what I was looking at.
I don’t know how long the dj gig will last. The way I look at it, I’ve already surpassed my dream of doing it once. The happiness bonus has been getting the opportunity to channel my love of music into the promo posters. I can’t help but smile when I see them out there in the wild.
Record Store Day is kind of a big deal for vinyl fans. Being asked to design the poster and social creative for Bananas Music in St. Petersburg, Florida was kind of a big deal for me.
Begun in 2008, Record Store Day is an international event held at vinyl shops across the country and around the world. Bands release special edition singles and albums exclusively for the day. For instance, The Cure released Torn Down, a sequel of sorts to 1990’s Mixed Up compilation. Mixed Up was also re-issued as part of RSD.
Bananas, as many shops do, organized a day of deals, live music, food and a general celebration of the culture, community and camaraderie that orbit these venues.
I was jazzed to be asked to design the poster and social media creative for the store, going for something clean and neat, with a brushing homage to Peter Saville’s design for New Order’s 1983 masterpiece Power, Corruption and Lies. The colored blocks above the album sleeve are color coordinated to the type below, a nod to the color chips on Saville’s iconic design.
I wouldn’t normally showcase the concepts I worked on prior to the final version, but I quite liked the pixellated banana idea I put together. It plays with the obvious implied sexual connotation, but by pixelating the peeled portion of the banana I was able to have some fun with it. It was my favorite concept, but it slipped to number 2 with the store.
Just when you thought it was safe to back into the Ghosthouse…
Our 132-hour expose of this 1988 Italian horror movie continues with Part 2, where Jon, Pete and guest Bernie Gonzalez dial it up a few notches to discuss Willy Moon, world’s creepiest happy-go-lucky hitchhiker, among other details.
Since friend, artist and all-around great guy Bernie Gonzalez told us to watch the bizarro 1988 horror flick Ghosthouse (it has been give then RiffTrax treatment) it’s only fitting we have him on to explain himself. We also get a comprehensive summary of Italian giallo cinema, of which Ghosthouse is a part. When the Italian director uses the nom de plume Humphrey Humbert in the credits, you know something messed up is happening.
Add a little ghost girl, a not really creepy clown doll and some Troll 2-level acting and you have this beautiful disaster. Plus America’s favorite happy-go-lucky hitchhiker, Willy Moon. Ciao!