Taking a page from my time in DC, I recently suggested that the monthly DJ gig with friends Jen and Genevieve expand to try a ‘versus night’, specifically New Order versus OMD, as both the latter and Peter Hook, former bassist of the former, were due in town in the coming months.
I was curious if the blissful, insane fun I had at Cure vs. The Smiths, New Order vs. Duran Duran and Depeche Mode nights at DC’s Black Cat (special nod to DJ Michelle Guided for providing much of that soundtrack) could be replicated – on a much smaller scale. And hey, if nobody showed, at least we’d enjoy a night of great music.
We sold the idea to a skeptical manager at The Independent Bar that hosts our low-key, all vinyl gigs. Now for a poster design.
It starts and ends with Peter Saville. Saville’s design defined an era. His work with Factory Records, his iconic cover designs for Joy Division, New Order, OMD and other post-punk bands emerging from the UK in the late 70s and early 80s are instantly recognizable.
I had a lot of fun playing in his sandbox as I went from producing one design to four. The designs are all mashups. The main poster utilizes the bold lines and streetmap grid look of New Order’s 2016 ‘Music Complete’ album while incorporating the tan, brown and green color scheme from OMD’s 1983 album ‘Dazzle Ships’, both designed by Saville. I added the fuchsia for some pop as I felt it complemented the other colors and contrasted the black line art well.
The typography is strict Helvetica, which lent itself to the utilitarian look of a lot of the early Factory Records and Hacienda materials.
Each of the posters pulls from New Order – OMD – Factory aesthetic and style – all shaped by Saville. Famously, the sparse ‘No’ that featured on New Order’s ‘Waiting For the Siren’s Call’ was actually a response by Saville to a request to design the album cover.
Just when you thought it was safe to back into the Ghosthouse…
Our 132-hour expose of this 1988 Italian horror movie continues with Part 2, where Jon, Pete and guest Bernie Gonzalez dial it up a few notches to discuss Willy Moon, world’s creepiest happy-go-lucky hitchhiker, among other details.
Since friend, artist and all-around great guy Bernie Gonzalez told us to watch the bizarro 1988 horror flick Ghosthouse (it has been give then RiffTrax treatment) it’s only fitting we have him on to explain himself. We also get a comprehensive summary of Italian giallo cinema, of which Ghosthouse is a part. When the Italian director uses the nom de plume Humphrey Humbert in the credits, you know something messed up is happening.
Add a little ghost girl, a not really creepy clown doll and some Troll 2-level acting and you have this beautiful disaster. Plus America’s favorite happy-go-lucky hitchhiker, Willy Moon. Ciao!
What beats a paradox? A full house. Actually, hell if we know, but that doesn’t stop us from talking about Netflix and J.J. Abrams’ Super Bowl surprise – another entry in the Cloverfield series. By now even your pet guinea pig, Colonel Squeaker has weighed in on this one, but we’ve decided to take a crack, too. Hey, we never said we were timely.
The golden age of 80s slasher cinema produced some interesting, if not great movies. In this episode, we buy a ticket for Terror Train, a 1980 Canadian-American production that slipped through the cracks of our adolescent viewing. Jamie Lee Curtis, Ellis from Die Hard and David Copperfield playing against type as a – wait for it – magician! It can’t be all bad can it?
Podcasts are dropping left and right analyzing the latest Star Wars blockbuster, The Last Jedi. But one major plot point that’s not being discussed in all these podcasts is, “What happened to that Star Wars disco record?”
On this episode, we’re taking it back to the funky Seventies to talk about the brief era where John Williams’ iconic themes were slapped and slathered with a jazzy disco sheen. We also go in depth on the album below by noted* jazz funk surf legends, the Jeff Wayne Space Shuttle. If you have any desire to listen to some, err, interesting interpretations on the Star Trek, Planet of the Apes TV show as well as the Superman and Batman themes, check out this blog post from 2012 that has a link to access .mp3 files of the entire album.
What is it they say about sequels being bloated and paling in comparison to the original? Well we here at the So Bad It’s… podcast don’t listen to such talk, because Part 2 of our discussion on the Friday the 13th movie series with is longer, better and more entertaining than the Crispin Glover dance from the Final Chapter. Click play already!
Somewhere along the journey of growing up in the 80s, Friday the 13th moves went from making us scream with terror to scream with laughter. On this episode of So Bad It’s… we’re joined by fellow Friday aficionado Graham LaMontagne as we track our memories, thoughts and insights and discuss the series and all things Jason Voorhees.
In keeping with the series’ myriad of sequels, this is the first of a two-part episode. So grab your hockey mask or burlap sack and meet us up at Camp Crystal Lake with Dudley, Corey Feldman, Crispin Glover, Alice, Kris and the rest of the gang.
The passing of Adam West on June 9 was felt by generations. Whether you knew him as Mayor Adam West from Family Guy, or for the role that came to define him, Batman from the 1960s TV show, there was no mistaking that butterscotch smooth voice. The world is a little less entertaining now that he’s gone.
On this episode of So Bad It’s…we talk about Adam West and the 1960s Batman television show, including listing our favorite Pow graphics, some of which are shown above. They may or may not be real. Jon then relates his fond memories of Batgirl Yvonne Craig. Also, Broadway Joe Namath stops by and gives us an idea for a future episode, because of course he does. Go long!